Elpidia García, storyteller of a gore capitalism
DOI:
https://doi.org/10.36798/critlit.vi19.288Keywords:
border literature, short story, Gore Capitalism, Endriago subject, collective memoryAbstract
This paper approaches the works of the storyteller Elpidia García Delgado by analyzing her recurrent topics: conflicts of the Mexican border context. For this, the theoretical work of Sayak Valencia in his book Gore Capitalism is the main point of reference used, in order to link the concepts he proposes to the social problems are Elpidia García’s reason for writing in favor of collective memory, combined with a critique of the historical past and present. Likewise, the analysis delves on the Endriago subject raised by Valencia, because its mimetic representation in García Delgado’s fictions is a substantial quality to understand the space from which it this author narrates.
Downloads
References
Aboytia, José Juan, et al., compiladores. Desierto en Escarlata. Cuentos criminales de Ciudad Juárez. Nitro Press, 2018.
García, Elpidia. “Catarata azul”, “Habitación 121”, “Peregrinos”.El hombre que mató a Dedos Fríos y otros relatos. INBA / Lectorum, 2018.
____. “El conciliábulo de los halcones”, “Las ratas de la calle Babícora”, “Wyxwayubas”. Ellos saben si soy o no soy, Ficticia, 2014.
____. Polvareda. Universidad Autónoma de Ciudad Juárez, 2015.
____. “Nomás diez tiros le dio”. Desierto en Escarlata. Cuentos criminales
de Ciudad Juárez. Compilado por José Juan Aboytia et al., Nitro Press, 2018, pp.130-147.
Palaversich, Diana. De Macondo a McOndo. Senderos de la posmodernidad latinoamericana. Plaza y Valdés, 2005.
Parra, Eduardo Antonio, compilador. Norte, una antología. Era / Universidad Autónoma de Sinaloa, 2015.
Rojas, Clara Eugenia, coordinadora. Discursos en fronteras. Fronteras metafóricas, vol. II. Universidad Autónoma de Ciudad Juárez, 2012.
Valencia, Sayak. Capitalismo gore. Paidós, 2016.
Velasco, Magali. “Fronteras y locus en la narrativa contemporánea juarense”. Discursos en fronteras. Fronteras metafóricas, coordinado por Clara Eugenia Rojas, vol. II, Universidad Autónoma de Ciudad Juárez, 2012, pp. 27-50.
Vigueras, Ricardo. “Edmond Baudoin y Troub’s en Ciudad Juárez: del mito a la vida cotidiana”. Discursos en fronteras. Fronteras metafóricas, coordinado por Clara Eugenia Rojas, vol. II, Universidad Autónoma de Ciudad Juárez, 2012, pp. 121-143.
Zavala, Oswaldo. Los cárteles no existen. Malpaso, 2018.
Downloads
Published
How to Cite
Issue
Section
License
The authors always maintain the moral and patrimonial rights of their work. They only grant the non-exclusive license of use to Connotas for their first publication. Therefore, the authors may make other independent and additional contractual agreements for the publication of their article, review or other text originally published in Connotas or with modifications (including the title) as long as they clearly indicate that the paper was first published in Connotas. Revista de crítica y teoría literarias. Connotas undertakes not to make commercial use of the texts it receives or publishes.
See also "Copyright and Licences".